Grey Street, James, Domino | Dave Matthews Band, Pat Metheny Group, Genesis |UNCLASSIFIED night tempo diagrams

Are these three songs best
a) at night;
b) during the day;
c) as night falls
d) depends​ on my mood?

Are these three songs best
a) at night;
b) during the day;
c) as night falls
d) depends​ on my mood?

Full disclosure, I love these​ three as songs of civil dusk. I have been blessed enough to listen and watch all three bands perform the songs that way, as can be seen in the​ links​ below.

Are the songs better
a) in their live versions;
b) in their studio versions;
c) it depends on my mood.

Full personal disclosure​ again: to me, I usually like these songs better at night, though my mood upon listening usually takes over. Nothing to brag of, I know! How about you?

I compose morning Episcopal music. The musicians on this page? THANK YOU 👉🏽❤️❤️❤️!!! It is an interesting thing to take a Martin Luther or Ralph Vaughn Williams or Martin Luther hymn and change some of the 1600s harmonies into 2018 harmonies. Hint: fewer diminished​ seconds, more 9ths in place of same. In some keys, as C, the major 3rd is a harsh interval as the E, to allow for equal temperament, stretches toward the perfect 4th, the dreaded F.

Grey-Street-Dave-Matthews-band-Lousiana-11-peat-street-chart
Grey-Street-Dave-Matthews-band-Lousiana-11-peat-street-chart
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Dave Matthews band-Grey Street-matherton-speed-diagram
meanspeed-matherton tempo image-dave-matthews-band-grey-styreet
Dave Matthews band – Grey STREET 
Grey Street-Dave-Matthews-Band-matherton-horowitz-ordinary-speed-map
Grey_ Street-Dave-Matthews-Band-universal-matherton-tempo-map
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James, The Pat Metheny Group, as played in the studio version on the masterful OFFRAMP
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Domino, Part I

 

Thanks for your help!

 

/matherton’s stepfather/

“Au Lait” | Pat Metheny and Lyle Mays | unclassified harmonic tempo map

Just a moment of perfection. Around the part of the song that Pat comes in after the major break. I had my walkman on, which was not a usual thing at that time. Yeah, passing the White House, listening to this at about 7 PM, finishing a post work beer.

Au-Lait . Pat-Metheny-Lyle-Mays
Au-Lait Pat-Metheny-Lyle-Mays

In 1984 I had a college internship in Washington, D.C.

After work, the bus used to pass in front of the East Lawn of the White House, and there was one night on hearing this song for the first time and looking out the window I had a DC “peak experience.” Just a moment of perfection. Around the part of the song that Pat comes in after the major break. I had my walkman on, which was not a usual thing at that time. Yeah, passing the White House, listening to this at about 7 PM, finishing a post work beer.

This song for whatever reason – I think it’s Nana’s Brazilian percussion – reminds me of the basic Chicago sound I grew up in during the 1960s. It was not music from rock music. Rather, it was Debussy, Bach, Beethoven, Mozart when my Dad studied then Beatles and Burt Bacharach when my dad went back to the hospital in Chicago to learn to be a surgeon.

matherton + spiron

The World’s Two Most Underrated Composers: METHENY and MAYS? Uh, yeah.

The songs JAMES and Are you going with me stand the test of 36 years.

With most milleniaks catching up on music from 1935-2015 tbrough the anazing power and generosity of youtube’s music professionals.

The songs JAMES and Are you going with me stand the test of 36 years.

Pat Metheny Group, Are You Going With Me? TRAVELS
Metheny/Mays ARE YOU GOING WITH ME?
Tempo map by matherton
Vocal by PEDRO AZNAR